wazuzu wrote:About the voices, I think it'd be this way:
Emi's is high-pitched and ringing, but not loud or annoying. I feel her voice as wooden. When she's quiet (e.g. in the moment of confession on the cemetery), the voice is childish and soft, like carved from a softer wood.
Rin's voice is deep, childish and fluffy, like a deep male baritone pitch-shifted one octave up. Her voice is like warm wax, warm, heavy and enveloping. Her "Helloooo" tells me that.
Hanako's voice is quiet and edgy, sometimes spiking up in volume occasionally. It feels like very dry hay, when you walk on it bare-footed. Fluttershy is g-good example.
Lilly has a deep, but not low-pitched wannabe-adult voice. It feels like glazed clay human sculpture, hard, yet smooth and nice to feel, when you run the palm of your hand around the curves.
Shizune "has" a high-pitched melodic voice, that sounds strict, like stereotypical teacher's voice. Imagine it like a crystal vase standing on a very edge of a windowsill. It stands there fine, but you can push it with your elbow accidentally, or a cat running by can accidentally push it too... Well, don't walk on the smithers, they are sharp and dangerous.
Misha's voice is just like a GIANT cotton candy lollipop. It's big, loud, and soft on touch, but is annoyingly sweet, you can't eat that much, and it envelops you. Just like a crossbreed between loud Emi and a loud nightingale.
You hit the voice I use for Emi on the head. We haven't done much with Rin yet, but I like your description of that as well. Pitch-wise, she's essentially Daria, but the timbre is exactly not that. It's much smoother and melodic sometimes -- I think especially of the moment as you leave the art room, and she calls out "I heard that!" -- and at other times she speaks entire conversations in flat-what mode. I'm really going to enjoy doing her voice during her arc, even though I'm dreading the arc itself a bit.
When I read out Hanako's route yesterday (wow, I didn't realize the first time I experienced it just how long it ran -- we went well into the wee hours with it, because you just can't STOP with that), I started out fairly well like you describe, but with a slow and steady strengthening as the arc progressed. When she finally broke all the way through in the final scene, she was sounding like...well, my friend compared her to the English dub of Hotaru from Sailor Moon, so I'll go with that, because I wasn't really doing it intentionally, just...doing what I felt like that voice would have sounded before it started sounding like it did.
Believe it or not, Misha's voice winds up being a lot more complicated to do than the others. When she's in no-volume-control mode, for me her voice comes out a bit like a female version of The Dark Lord Chuckles the Silly Piggy from Dave the Barbarian. If you can imagine taking that template and overlaying it onto an actual human speech cadence, that's how she sounds in her "normal" moments, like when you're talking to her alone in the Student Council room while "collating".
For me...the best way I can describe the voice I'm using for Lilly is that I take the voice of the stereotypical American "southern belle" -- a bit breathy, a bit sultry, but overall very...measured -- and then strip the southern accent off of it. Miki, on the other hand, has a full-on southern accent, specifically from the state of Georgia.
ETA: Forgot to mention that, since we haven't done Shizune's arc yet (it's next on the agenda, whenever we have time), she has no "voice" yet. What she does have, as of Hanako's arc, is...well, "sound effects" you might say. During Emi's arc, I started out trying to describe her facial expressions, but that got too difficult at some point, so I just added a pause when she signed. However, during Hanako's arc, I got the idea to subvocalize an appropriate emotion at each instance of her signing and...well, it worked surprisingly well.
CFC Kyle wrote:You should have taken the Lilly route.
And I don't mean in Katawa Shoujo.
*snigger*
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